This book brings together the work of Annanké Asseff in the period from 1999 to 2012. Already from her beginnings at the end of the 90s, this visual artist, as she describes herself surprised viewers with her maturity and originality by means of images that were provocative, a photography of condemnation and confrontation with the viewer. In addition to her photography, this book reflects other new formats, such as her sculpture and installation art. An introductory essay by Valeria Gonzalez and an interview with Rodrigo Alonso contribute a theoretical framework for the procedures, periods and topics of this work.

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