Claudia Caraballo de Quentin, a careful observer and admirer of Argentina’s native cultures, has studied the origins of the harnesses used by the indigenous peoples who populated these lands, and how it was that those who in earlier times made no use of silver succeeded in developing such an original style that differed from that of the silver of the creole and the period of the viceroyalty. After extensive research in Argentina and abroad and comparative studies with the style of the plains itself, the author has produced a unique work on an art that until now was little known.

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